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Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for that unrest? Katniss. And what's worse, President Snow has made it clear that nobody else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one with the most talked about books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended like a trilogy. Did it actually end the best way you planned it through the beginning?
A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.
Q: We understand you worked around the initial screenplay for the film being depending on The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?
A: There are several significant differences. Time, for starters. When you will find yourself adapting a novel in to a two-hour movie you simply can't take everything with you. The story has being condensed to suit the modern form. Then there's the question of how best to take a book told within the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for the second and therefore are privy to all of her thoughts so you will need a strategy to dramatize her inner world and to produce it easy for other characters to exist outside of her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lot of situations are acceptable over a page that may not be on a screen. But wait, how certain moments are depicted could eventually be inside director's hands.
Q: Are you currently able to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully it is simply too hard to think about new ideas?
A: I have a couple of seeds of ideas boating within my head but--given much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and that i can start to develop it.
Q: The Hunger Games is an annual televised event in which one boy then one girl from each with the twelve districts is forced to participate in the fight-to-the-death on live TV. What do you think that the appeal of reality television is--to both kids and adults?
A: Well, they're often set up as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I find very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, it won't have the impact it should.
Q: Should you were made to compete within the Hunger Games, what can you imagine your personal skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope can be to acquire hold of a rapier if there is one available. But the truth is I'd probably get of a four in Training.
Q: What do you hope readers will come away with once they read The Hunger Games trilogy?
A: Questions about how elements from the books could possibly be relevant within their own lives. And, if they are disturbing, what they might do about them.
Q: What were some of one's favorite novels when you are a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time it really is for world control. While it is often a clever twist on the original plot, it indicates that there exists less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and at her motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very evidenced as part of his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each one from the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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